Change of perspective. Dust as a structure, symbolic form and environment for new relationships in a livable world
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Resumen
The following essay aims to analyze the cultural genealogy within dust. We propose dust as a new symbolic form because it is the plastic memory of the world and the aesthetic of immortality. Dust is a long-lived living material; it is a heterogeneous archaeological environment, a new start can be made with a posthumanism, post-fiction, post-death and post-linguistic re-framing for a new society and a new way of living the world. Art could make a difference in terms of reflection, giving awareness, creating new knowledge, hints and clues.
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MESTRINER, Alice; MOSLEMI, Ahad.
Change of perspective. Dust as a structure, symbolic form and environment for new relationships in a livable world.
El Ornitorrinco Tachado. Revista de artes visuales, [S.l.], n. 18, oct. 2024.
ISSN 2448-6949.
Disponible en: <https://ornitorrincotachado.uaemex.mx/article/view/24925>. Fecha de acceso: 14 dic. 2024
doi: https://doi.org/10.36677/eot.v0i18.24925.
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Ensayo Académico
Esta obra está bajo licencia internacional Creative Commons Reconocimiento-NoComercial-SinObrasDerivadas 4.0.
Citas
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Baudrillard J., Lo scambio simbolico e la morte, ed.Feltrinelli, 2015
Braidotti R., A Theoretical Framework for the Critical Posthumanities, Utrecht University, Theory Culture and Society, 2018
Douglas M., Purity and Danger. Analysis on concepts of pollution and taboo, ARK Edition 1984
Greimas A. J., Figurative Semiotics and The Semiotic of the Plastic Arts, 1984
Harari Y. N., Homo Deus. A brief History of Tomorrow, VINTAGE, 2015
Harari Y. N., Sapiens. A brief history of humankind, Ed. VINTAGE, 2017
Mestriner A., Moslemi A., Memoria Plastica ed Estetica dell’Immortalità, MA Thesis, 2022
Taylor T., Come l’uomo inventò la morte, trad F. De Lillis, ed. Newton Compton, 2006
Testoni I., Il grande libro della morte. Miti e riti dalla preistoria ai cyborg, ed. Il Saggiatore, 2021
Whorf B. Language, Thought and Reality, ed MIT Technology Press, 1956